AIM DIY: Simple Handmade Paper Heart Cards with Flower Seeds Inside

April 29, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

The sun has made a couple of appearances, and when the sun comes out all I want to do is make paper. Why fight it? I’m always in a crafty mood so it makes sense to craft! Making paper and cards is one of my absolute favorite past times so I would never want to miss an opportunity to do so. I came across some of these gift ideas for card makers the other day and I couldn’t get the idea out of my head so I told myself that as soon as it was sunny, I would make some paper for my cards, and that’s exactly what I’m doing.

I decided to take the opportunity to make a bunch of plantable heart cards, using flower seeds and a simple pour-over paper making method (instead of my usual dip method featured here and here.) The pour-over method uses paper scraps and things that you probably have around the house; making this an awesome, kid-friendly, activity for a sunny afternoon.

Pour-over Paper Making Supplies

• Shredded scrap paper Mix your favorite color and white paper for the best results. You can use a shredder, scissors, or your hands to tear the paper into manageable bits.
• Smallish flower seeds I felt several packets of seeds before settling on a combination of chamomile, viola, and alyssum seeds. You can also give it a cooking theme by using tiny herb seeds.
• A “Deckle”- This will be the template for your sheet of paper. I used an inexpensive, wood, heart-shaped picture frame that I picked up at the craft store.
• 2 screens, slightly larger than your deckle- I used small pieces of window screen material from the hardware store. I have also had some luck with sheer curtain material and other porous fabrics.
• A blender
• A large bowl (or two)
• A wire cooling rack for support
• A rectangular cake pan to catch the runoff.
• A sponge or absorbent rag
• A couple of flat absorbent rags larger than your intended paper size.

Step 1: Making Paper Pulp

To make the pulp for your paper, first soak the shredded paper in water for a little bit. Typically I will dunk them all in water while I’m getting all my supplies together. Once they are saturated put a handful into your blender, with about twice that amount of water.

Then pulse your blender to pulverize the paper pulp. (If you feel like your blender is having trouble, add more water to your mix. The paper pulp quickly becomes thick sludge that’s harder to cut through. It’s better to err on the side of too much water.) When your mix is starting to look like a disgusting smoothie, open it up and take a look at the mix. I like to stop when the mix is a little bit chunky, but mostly liquified.

Step 2: Preparing your Mould

Stack the cooling rack, screen, and deckle on top of your cake pan. This is where you’ll be pouring your pulp in a minute.

Step 3: Mixing in the wildflower seeds.

Transfer your pulp from the blender to a pouring bowl. You will be using several batches of pulp, so pour just a little bit of your flower seed into the bowl and stir gently with your fingers.

Step 4: Pouring the Pulp

Slowly pour your pulp mixture into the deckle. The water from the pulp will run through the screen and leave you with saturated paper fibers in the shape of your deckle.

Fill the space completely by pouring, and (if needed) gently pushing the pulp into the corners of the frame with your finger.

Very gently, lift the deckle directly up towards the ceiling. (A note: One of the best parts about paper-making is that almost any mess up can be fixed by dumping the sheet back into the pulpy water, breaking it up with your hand, and starting over again. So if your shape doesn’t look right, or your get a tear or a bubble, just dump it back in and try again!) You will have a nice pile of wet paper mess.

Step 5: Drying the Paper

The final bits are all about drying the paper. Although much of the water falls through while you’re pouring, the fibers hold on to a lot of moisture. First, place your second piece of screen on top of the pulp and absorb as much of the water as you can by pressing gently with a sponge. This will flatten the pulp into something that looks more like a sheet of paper. (You can wring the sponge out into your pulp bowl, and dump the excess water in there that runs into your cake pan.)

The sheet is still delicate at this point.

Transfer it to a flat absorbent rag by flipping the whole screen onto the rag, and gently peeling back just the screen.

Next, place another rag on top, and press the paper gently with your fingers or a rolling-pin. You should start to see water in the shape of your card.

Use the same flipping method to transfer your sheet onto a surface that it can remain on to air dry. (I like to cover my dining table with bath towels.) Once you’re done making paper, you can dump the remaining pulp and water outside.

plantable_handmade_paper_hearts_IMG_7854 — See! Paper!

plantable_handmade_paper_hearts_IMG_7881 — An army of plantable paper hearts!

Usually the paper will dry overnight, but may take a little more time in a damp or cold room. Once they are completely dry, you can decorate them however you please.

Since Mother’s Day is coming up, I decided to use one of my sheets as a card. I used the seed packets as inspiration and wrote a little message on the back, including directions for planting the card.

When you’re ready to toss out this card, plant it instead! It has a mix of viola, alyssum, and chamomile seeds– just cover with a little soil, water, and you might find yourself with a few new blooms.

Since every card needs an envelope, I decided to make a simple one from a paper grocery bag.

Simple Envelope Supplies

• A paper bag
• Your handmade paper deckle
• A Pencil
• A Ruler
• Scissors or craft knife
• Glue

Step 1

Open up the paper bag by cutting until you have a flat sheet. Place the deckle in the center and trace the inside with your pencil.

Step 2

To make your envelope guide, draw a box around your deckle shape, leaving about a quarter of an inch of space on each side. Extend the lines out from the box (as shown above).

Step 3

Cut the corner portions out of the form you drew, leaving a plus sign shape with your heart-shape in the center. Fold along each of the straight lines, and trim the flaps so that they overlap about a half an inch.

Step 4

Fold in one of the side flaps, then apply glue to the other side flap, fold it over, and do the same with the bottom flap.

You should have the perfect envelope for your card! Just slip it in, seal the last flap and send it to somebody special. (Remember that oddly shaped envelopes require more postage. Check with your post office for more details.)

I’m really happy with the way my card turned out, and glad that I was able to come up with another way to recycle materials I had already.

Now I have a nice stack of paper hearts packed full of flower seeds- what should I do with the rest of them?

AIM TOOLBOX: Water Color Masking Fluid

April 22, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

I love playing with watercolors, I’m going to admit that right now. I love the way the colors run together, the little blotches of pigment, and basically everything else about it. I’m not a watercolor expert, which means that whenever the paint does something unexpected I have the giddy feeling that I just discovered something amazing. (What did I tell you? I love the process.)

My philosophy teacher in high school used to amazing things with watercolor, and I would always try to sneak a look at his paintings before and after class. One day I noticed him using something to cover up portions of the paper while he was working– cut to 15 years later and I finally decide to buy myself a little bottle of masking fluid to play around with. (I bought Winsor & Newton Colorless Art Masking Fluid.)

Still a little overwhelmed to jump in, I watched this introductory video, decided on a test project; and gathered my brushes, paints, and spirit of exploration.

A note: the first time I used the fluid, I ruined my brush. It was a cheap brush, granted, but after that I sharpened up and coated the next brush in dish soap before dipping it in the masking fluid. I coated the whole thing in the dish soap, then squeezed the excess out. (This video shows you how.) Trust me. It’s better that way.

I drew a basic outline of the words I wanted to mask out with pencil. After coating the brush in soap, and gently rolling the bottle of masking fluid to mix it up, I dipped my brush in and saturated it.

Bit by bit, I covered the words with the masking fluid.

All the lines are covered in the fluid now. I’ll be able to erase the pencil lines once everything is done.

I let the masking fluid dry COMPLETELY before I began to paint with my watercolor. (The dry masking compound feels like rubber cement. You’ll know it’s dry when it is only slightly shiny, and your finger does not stick to it.) The watercolor will not stick to the mask, so you will be able to see what you’re working with.

When I had finished my first layer of paint, I let it dry COMPLETELY, then added a little more masking to what would be the little abstract windows in the buildings.

Then I let those dry COMPLETELY (do you see a theme here?) before I went in and darkened all the fields of color.

When I was done working around my masked areas, and everything was dry, I lightly rubbed the masking agent off with the tips of my fingers. (This alone is worth the trouble. I love pulling glue off of things.)

Once the mask was off, and I did a little erasing, I had crisp white lines to work with.

The masked areas were pale enough to let me add a little light yellow watercolor. I love the way the white letters stand out.

Tips to remember

• Test out the water color paper you’re going to be using before you start your artwork. Some of the papers I tried stuck to the masking fluid terribly, and I had to tear the paper to get the dried mask off.
• Coat your brush in soap, or you will ruin a brush, and most likely the piece of paper you’re working on. The first brush started to pull the drying mask fluid back off the paper, and it totally ruined one of my projects.
• Let everything dry COMPLETELY before moving from fluid to paint, or paint to fluid. The fluid will cling to wet paper, or your wet paint and make a wet mess.
• Remember to have fun! Let that childish sense of wonder take over for an afternoon… and when you’re done experimenting, send us the outcome! April’s DIY Challenge is Watercolor, after all.

AIM TODAY: The Magic is in the Making

April 15, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

***

Every month we send handmade badges to our favorite DIY Challenge entries. Rachel has made most of them, because she’s a whiz, and I was too scared to attempt embroidery. When I finally sat down to try* I found myself enjoying the process, and realized that the little imperfections were just fine. They were evidence of my process, and the process is everything.

I’ve been thinking a lot about the little monsters that keep us from creating. The doubt that we feel about our talent and ability, the fear we have that what we make will be judged by others, the comparisons we make to those who we feel are more talented.

Well, those are my little monsters. They make it difficult for me to call myself an artist, even when people specifically ask me if I am. Even when I’m working on rearranging my studio to work better for the way I make things.

But here’s the thing. When I take a step back from my own insecurities I see that for me the value of art isn’t in the product; and it definitely isn’t in the value that someone else places on the product. All the value and happiness is in the making.

When I’m making something, I get to do all my favorite things. I solve problems, like what tools to use to get the result I want. I teach my hands to move in new ways. I explore the interaction of materials- the way certain paints soak into wood, the way paper is cut by different blades, the way it curls. I train my eyes to see the world differently, to take items out of context, to turn a stick into a story. I play with the sound of words in my head, the picture they can paint with a little touch of color.

So what if all that beauty in my head and in the world turns into something that no one understands but me? Who cares if the end product is less “art” and more evidence of exploration? The magic is the way I feel when I’m working.

What do you think? What part of making brings you the most joy?

*I used a lot of the techniques from Rachel’s Alphabet Hoop Art tutorial, craft felt, embroidery floss, and good ol’ creative drive.

AIM Toolbox: Drawing with Gouache and a Nib

April 8, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

A while back I took a calligraphy class from Tara Bliven, and it opened up a whole new world of drawing tools. Not only did I get to try out new tools and techniques, it was the first time a pen and nib really worked for me. (Sometime I’ll give my whole “It’s tough being a lefty” rant.) As a lefty I need to use a special Oblique Pen Point Holder to write left to right– but with a little practice I learned to use a plain pen and nib to draw with gouache.

All the dark blue lines on this piece were done with a pointed pen, the rest is watercolor.

What’s so great about drawing with gouache?

• You can draw any color you can mix, for cheap. Instead of buying half a million different markers, buy a primary set of gouache and mix the colors you love.
• Gouache colors are opaque, which means you can do light lines on a dark background.
• Skinny paintbrushes are a pain. Although some people *ahem, Rachel* seem to be able to make magic with a brush, I have no luck doing fine lines with a paintbrush. A pen works much better.
• Gouache mixes wonderfully with your watercolor projects (#diycraftchallenge)
• The quality of line you get with a pointed pen is awesome.
• You look like a total bada** when you’re using a pointed pen. Trust me.

For this piece, I put down a dark blue background in watercolor, then used gouache to add the white words and flourishes.

There is a little learning curve when you’re working with a pen and ink, and practice makes perfect. I like to do little doodles on scrap paper to practice my lines, play with color, and generally mess around.

Supplies

• Gouache– like this Winsor & Newton set.
• A pen holder– like this one from Speedball
• A pointed pen nib– I used a Nikko G pen for this project, but Tara also recommends the Brause EF 66 which is better if you’re not as heavy handed as I am.
• A dropper of distilled water.
• A couple of ratty paintbrushes for “ink” application, mixing, and cleaning.
• The rest of your usual painting tools– a paint tray or plate, a jar of water, paper towels, paper, pencil, etc.

To start, I put a drop little bit of gouache into my paint tray…

and add a couple of drops of distilled water. I add just a little bit of water to start, because it’s easier to add more water to make the consistency I want.

I mix my water with my paint until it’s consistent (using a cheap kids paintbrush). I like to play with different degrees of “wateriness,” more water means that the “ink” will be thinner and less opaque. Typically I used a mixture that’s about 3 parts paint, 1 part water.

To apply the paint/ink to the pen, I saturate a paintbrush, and slowly slide it against the backside (concave side) of the nib. The ink will cling to the nib and seem to fill it partially. When it seems full (this part takes some practice) I will gently point and shake the pen downward towards the tray to get any extra blobs of ink out before I start drawing. In some cases (like today), I will actually drop the extra bits of paint onto my paper, for fun.

Then it’s time to draw. I place the nib gently again the paper, concave side down, at an angle. Then I slowly pull the nib along, rather than pushing like a lefty with a ballpoint. (If you’re having trouble, check out one of the amazing tutorial videos on youtube- like this one.)

Unlike a normal pen or marker, a nib like this will need to be refilled rather frequently (using the brush method above.) I try to keep an eye on how much ink/paint I have in my nib so that I don’t run out in the middle of a line. When you’re using the nib, you’ll notice that the tip is made up of two pointed pieces. When there is enough ink, it looks like one point on the end, but when they start separating, I probably need more ink.

Periodically, I stop to rinse and scrub my pen. I dip it in my jar of water, and use a clean brush to scrub any dried bits of ink/paint off of it. Then I dry it gently with a rag or paper towel, reink, and go back to work.

For this doodle, I had both white gouache and blue gouache in my paint tray, and I went between the two when I was reinking.

Can you see why I like drawing with gouache? The possibilities!

I was inspired to pull out my gouache today by the April DIY Challenge: Watercolor. We’d love to see what the theme inspires in you, so pull out your favorite medium and tools and share with us!

So, There.

So There Letterpress and Stationery Studio in Issaquah

Month: April 2015

AIM DIY: Simple Handmade Paper Heart Cards with Flower Seeds Inside

Pour-over Paper Making Supplies

Step 1: Making Paper Pulp

Step 2: Preparing your Mould

Step 3: Mixing in the wildflower seeds.

Step 4: Pouring the Pulp

Step 5: Drying the Paper

Simple Envelope Supplies

Step 1

Step 2

Step 3

Step 4

AIM TOOLBOX: Water Color Masking Fluid

Tips to remember

AIM TODAY: The Magic is in the Making

AIM Toolbox: Drawing with Gouache and a Nib

What’s so great about drawing with gouache?

Supplies