artist

AIM TODAY: Be Inspired, Not Intimidated.

| Alison - Adventures-in-Making


From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

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I’ve been kind of at odds with my work lately, and I’ve been drowning myself in busy work to keep from having to address the elephant in the room- What do I do next? I’ve spent the weeks since the store closed doing anything but the things I need to further my art, and the longer I waited the harder it became to pick up a pencil again. Somehow in that time I became more and more discouraged by the truly awesome work I saw all around me, and I’ve decided it’s time to do something about it.

The internet is an amazing thing for an artist. Snap your fingers (or ask Google) and you have access to a million inspirations and a trillion resources. (Also a gazillion distractions, but that’s beside the point.) You might need to do a broadband comparison before searching for some inspiration, just so you actually get some results and don’t have a slow, lousy connection. A decent broadband connection will also let you use various apps to create art and even have the ability to upload artwork online, whether it’s to a selling site, personal website or any other platform. It’s great that we don’t even have to go to a library or a museum to be exposed to new work or new concepts; it’s just there, in our Facebook feed, for us all to see from the comfort of our own home.

With such luxury, it seems like our possibilities for inspiration are endless, and yet all these amazing things can be just as intimidating as they are stimulating. How can you ever draw that well? Why can’t you come up with the perfect idea? Why should you spend hours on something that they can do without even a sketch?

Thus begins the cycle of stagnation: 1: Get discouraged, 2: Can’t work, 3: Don’t get better at what you do (and don’t get to enjoy the process), 4: Spend more time on the internet looking at “inspiration”…. Rinse and repeat.

So, lets turn this whole thing on its head, and figure out how to see inspiration as just that.

1: Acknowledge talent, and move on.

Even is your first defensive instinct is (like mine) to pick apart the work of other artists, try to instead see what is causing you to react. It’s likely envy, and that’s just silly. There isn’t a finite amount of talent to go around.
If someone is awesome, let them be awesome. Admire what they do, and that they do it well. Move on.

2: Realize that what you like in your work does not have to be what you love in someone else’s.

I love looking at realistic art. I love looking at landscapes that seem to miraculously appear from patches of paint. I like mosaics built from found trash that take on a whole new life in their new format. I have no intention of doing any of those things. I am never happy trying to be realistic. I like lines, not plains; and when it comes down to it, I really just want to make functional art.
You’re no less an artist because you do something differently- obviously art is all about being different. You can be an artist in the kitchen, an organizing savant, an expert at standing on one foot while you knit– and all the while you can love the things you don’t do. Maybe you can love them more because you DON’T do them.

3: Spend a little time looking at things outside of your comfort zone.

I have a long list of blogs in my feed reader and I almost always read the web comics and interior design blogs first. Now, as a dedicated blog contributor I should probably be looking at things that are a little closer to home- but I get inspired by things that are outside of my experience.
You can find inspiration anywhere. In a history book that talks about the mysterious ins and outs of the past. In a mystery novel that lets you see out the eyes of someone else. In a garden reference that talks about permaculture and the growth of magnificent living things. Even in a cute kitten video. (That one’s a little bit of a stretch, but if it feels good it can’t be all bad!)

4: Get away from it all.

If you are seeing too much, close your eyes for a while. Unplug from the constant stream of visual information and take a deep breath. It’s okay. The internet is forever, and you can always go back and see things later. When you’re ready.

5: See your work for what it really is.

I don’t know everything, but I suspect that we mainly make because we are trying to express ourselves. We are trying to show everyone else how we see the world, trying to highlight and solve a problem, trying to learn. So, if someone else is doing that differently, it’s alright.
I am who I am, and you are who you are, and I like it that way.

AIM TODAY: The Magic is in the Making

| Alison - Adventures-in-Making


From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

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Every month we send handmade badges to our favorite DIY Challenge entries. Rachel has made most of them, because she’s a whiz, and I was too scared to attempt embroidery. When I finally sat down to try* I found myself enjoying the process, and realized that the little imperfections were just fine. They were evidence of my process, and the process is everything.

I’ve been thinking a lot about the little monsters that keep us from creating. The doubt that we feel about our talent and ability, the fear we have that what we make will be judged by others, the comparisons we make to those who we feel are more talented.

Well, those are my little monsters. They make it difficult for me to call myself an artist, even when people specifically ask me if I am. Even when I’m working on rearranging my studio to work better for the way I make things.

But here’s the thing. When I take a step back from my own insecurities I see that for me the value of art isn’t in the product; and it definitely isn’t in the value that someone else places on the product. All the value and happiness is in the making.

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When I’m making something, I get to do all my favorite things. I solve problems, like what tools to use to get the result I want. I teach my hands to move in new ways. I explore the interaction of materials- the way certain paints soak into wood, the way paper is cut by different blades, the way it curls. I train my eyes to see the world differently, to take items out of context, to turn a stick into a story. I play with the sound of words in my head, the picture they can paint with a little touch of color.

So what if all that beauty in my head and in the world turns into something that no one understands but me? Who cares if the end product is less “art” and more evidence of exploration? The magic is the way I feel when I’m working.

What do you think? What part of making brings you the most joy?

*I used a lot of the techniques from Rachel’s Alphabet Hoop Art tutorial, craft felt, embroidery floss, and good ol’ creative drive.

AIM Toolbox: Drawing with Gouache and a Nib

| Alison - Adventures-in-Making

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From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

A while back I took a calligraphy class from Tara Bliven, and it opened up a whole new world of drawing tools. Not only did I get to try out new tools and techniques, it was the first time a pen and nib really worked for me. (Sometime I’ll give my whole “It’s tough being a lefty” rant.) As a lefty I need to use a special Oblique Pen Point Holder to write left to right– but with a little practice I learned to use a plain pen and nib to draw with gouache.

All the dark blue lines on this piece were done with a pointed pen, the rest is watercolor.

What’s so great about drawing with gouache?

• You can draw any color you can mix, for cheap. Instead of buying half a million different markers, buy a primary set of gouache and mix the colors you love.
• Gouache colors are opaque, which means you can do light lines on a dark background.
• Skinny paintbrushes are a pain. Although some people *ahem, Rachel* seem to be able to make magic with a brush, I have no luck doing fine lines with a paintbrush. A pen works much better.
• Gouache mixes wonderfully with your watercolor projects (#diycraftchallenge)
• The quality of line you get with a pointed pen is awesome.
• You look like a total bada** when you’re using a pointed pen. Trust me.

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For this piece, I put down a dark blue background in watercolor, then used gouache to add the white words and flourishes.

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There is a little learning curve when you’re working with a pen and ink, and practice makes perfect. I like to do little doodles on scrap paper to practice my lines, play with color, and generally mess around.

Supplies

• Gouache– like this Winsor & Newton set.
• A pen holder– like this one from Speedball
• A pointed pen nib– I used a Nikko G pen for this project, but Tara also recommends the Brause EF 66 which is better if you’re not as heavy handed as I am.
• A dropper of distilled water.
• A couple of ratty paintbrushes for “ink” application, mixing, and cleaning.
• The rest of your usual painting tools– a paint tray or plate, a jar of water, paper towels, paper, pencil, etc.

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To start, I put a drop little bit of gouache into my paint tray…

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and add a couple of drops of distilled water. I add just a little bit of water to start, because it’s easier to add more water to make the consistency I want.

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I mix my water with my paint until it’s consistent (using a cheap kids paintbrush). I like to play with different degrees of “wateriness,” more water means that the “ink” will be thinner and less opaque. Typically I used a mixture that’s about 3 parts paint, 1 part water.

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To apply the paint/ink to the pen, I saturate a paintbrush, and slowly slide it against the backside (concave side) of the nib. The ink will cling to the nib and seem to fill it partially. When it seems full (this part takes some practice) I will gently point and shake the pen downward towards the tray to get any extra blobs of ink out before I start drawing. In some cases (like today), I will actually drop the extra bits of paint onto my paper, for fun.

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Then it’s time to draw. I place the nib gently again the paper, concave side down, at an angle. Then I slowly pull the nib along, rather than pushing like a lefty with a ballpoint. (If you’re having trouble, check out one of the amazing tutorial videos on youtube- like this one.)

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Unlike a normal pen or marker, a nib like this will need to be refilled rather frequently (using the brush method above.) I try to keep an eye on how much ink/paint I have in my nib so that I don’t run out in the middle of a line. When you’re using the nib, you’ll notice that the tip is made up of two pointed pieces. When there is enough ink, it looks like one point on the end, but when they start separating, I probably need more ink.

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Periodically, I stop to rinse and scrub my pen. I dip it in my jar of water, and use a clean brush to scrub any dried bits of ink/paint off of it. Then I dry it gently with a rag or paper towel, reink, and go back to work.

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For this doodle, I had both white gouache and blue gouache in my paint tray, and I went between the two when I was reinking.

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Can you see why I like drawing with gouache? The possibilities!

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I was inspired to pull out my gouache today by the April DIY Challenge: Watercolor. We’d love to see what the theme inspires in you, so pull out your favorite medium and tools and share with us!

AIM TODAY: It’s Okay to try it Your Way.

| Alison - Adventures-in-Making

IMG_2720_OKAYFrom 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

As creative folks, we know that our work will change over time. We’ll have struggles, and we’ll have breakthroughs.

I feel like I’ve been going through a lot of that lately. I’ve had to make changes to the way I do things to accommodate for my schedule at the shop, and the limited time it’s allowed me for more creative endeavors. All in all it’s been a great experience, and has caused me to grow in directions I wouldn’t have expected. Since we’re focussed on building a creative community here at A-i-M, I thought I would share some of my experiences and encourage you to share your own.

Today I am thinking about…

Trusting Your Instincts

A friend keeps reminding me that “you have to know the rules to break them”, but I’ve always been the kind of person who knows the rules- then sticks to them. My rebellious side would let me break a few,secretly, but the other side would never be happy unless my lines were straight and my skill immaculate. It was tedious, and I was never happy with what I was making.

Because of limiting factors, I started working in a new way. I moved away from the computer and started working extensively in pencil. I would sketch, erase, sketch, erase, until I built up a design I was happy with. It all happened on one pieces of loose-leaf card stock; with a lot of lead, and a lot of erasing.

But I kept questioning myself. What if I was doing it the “Wrong Way”?

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At some point I just decided to forget about it. It doesn’t matter if it’s the wrong way if I am happy with the result. Our satisfaction with our work is the most important outcome. If I was happier breaking a few rules and following my own instincts, then that’s the way it should be.

We have to have the confidence that our way is the right way, for us at least. That means trying new things, and feeling it all out…

but that’s what growing up is all about.

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What do you think? Have you had any breakthroughs this summer? Any projects that surprised you?
Are you trying things your way?