AIM SHOW+TELL: A Rainbow of Faux Embroidery

February 4, 2016October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

I have spent quite bit of time working on my studio lately, and in the process have embraced a few truths about my personality. 1-I like to turn chaos into order 2-I love clean visually simple spaces with little subtle details 3-Rainbows are the best.

With that in mind, I set out to turn this basic curtain (that hides the closet that houses the clutter) into something a tiny bit more special.

To be honest, I had been thinking about making some changes in my studio for a while, and the bifold doors to my closet were in desperate need of sprucing up. I did some research online and apparently you can replace slats of bifold doors relatively easily with fabric these days so I considered removing the old slats and replacing them with some new material.

However, in the end, I decided to simply refresh the curtain that the doors hide behind. I might still replace the slats on my bifold doors at some point in the future, but, for now, I am really happy with how the curtain turned out.

Anyway, I have an absolute wealth of Sharpies, and I decided to use them to doodle a faux-embroidered rainbow trim across the curtains.

First I cut strips the length of the curtains and about 8″ wide to doodle on.

I ironed under the raw edged, and put a seam down the middle as a reference point for the decoration.

I then gleefully sorted my Sharpies by color (to understand my glee, see points 1 and 2 above) and chose the best colors for my rainbow.

I divided the length into a small portion for each color, and made a light mark where each color began and ended.

Overlapping those marks a bit, I began to draw shapes with small dots and dashes– mimicking the stitches on decorative embroidery pieces. I used a lot of botanical shapes (cause I love ’em) and tried to break up the space with a lot of variety.

When I had the strips all filled up with decoration, I pinned them to my curtains, and used a simple zig-zag stitch on my machine to attach them for good.

I really like the little touch of color this added, and it was tons of fun to doodle inch-after-inch of floral rainbow.
One day I’ll show you some of the other rainbows I’ve captured in here…

Cause they’re the best.

AIM Toolbox: Drawing with Gouache and a Nib

April 8, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

A while back I took a calligraphy class from Tara Bliven, and it opened up a whole new world of drawing tools. Not only did I get to try out new tools and techniques, it was the first time a pen and nib really worked for me. (Sometime I’ll give my whole “It’s tough being a lefty” rant.) As a lefty I need to use a special Oblique Pen Point Holder to write left to right– but with a little practice I learned to use a plain pen and nib to draw with gouache.

All the dark blue lines on this piece were done with a pointed pen, the rest is watercolor.

What’s so great about drawing with gouache?

• You can draw any color you can mix, for cheap. Instead of buying half a million different markers, buy a primary set of gouache and mix the colors you love.
• Gouache colors are opaque, which means you can do light lines on a dark background.
• Skinny paintbrushes are a pain. Although some people *ahem, Rachel* seem to be able to make magic with a brush, I have no luck doing fine lines with a paintbrush. A pen works much better.
• Gouache mixes wonderfully with your watercolor projects (#diycraftchallenge)
• The quality of line you get with a pointed pen is awesome.
• You look like a total bada** when you’re using a pointed pen. Trust me.

For this piece, I put down a dark blue background in watercolor, then used gouache to add the white words and flourishes.

There is a little learning curve when you’re working with a pen and ink, and practice makes perfect. I like to do little doodles on scrap paper to practice my lines, play with color, and generally mess around.

Supplies

• Gouache– like this Winsor & Newton set.
• A pen holder– like this one from Speedball
• A pointed pen nib– I used a Nikko G pen for this project, but Tara also recommends the Brause EF 66 which is better if you’re not as heavy handed as I am.
• A dropper of distilled water.
• A couple of ratty paintbrushes for “ink” application, mixing, and cleaning.
• The rest of your usual painting tools– a paint tray or plate, a jar of water, paper towels, paper, pencil, etc.

To start, I put a drop little bit of gouache into my paint tray…

and add a couple of drops of distilled water. I add just a little bit of water to start, because it’s easier to add more water to make the consistency I want.

I mix my water with my paint until it’s consistent (using a cheap kids paintbrush). I like to play with different degrees of “wateriness,” more water means that the “ink” will be thinner and less opaque. Typically I used a mixture that’s about 3 parts paint, 1 part water.

To apply the paint/ink to the pen, I saturate a paintbrush, and slowly slide it against the backside (concave side) of the nib. The ink will cling to the nib and seem to fill it partially. When it seems full (this part takes some practice) I will gently point and shake the pen downward towards the tray to get any extra blobs of ink out before I start drawing. In some cases (like today), I will actually drop the extra bits of paint onto my paper, for fun.

Then it’s time to draw. I place the nib gently again the paper, concave side down, at an angle. Then I slowly pull the nib along, rather than pushing like a lefty with a ballpoint. (If you’re having trouble, check out one of the amazing tutorial videos on youtube- like this one.)

Unlike a normal pen or marker, a nib like this will need to be refilled rather frequently (using the brush method above.) I try to keep an eye on how much ink/paint I have in my nib so that I don’t run out in the middle of a line. When you’re using the nib, you’ll notice that the tip is made up of two pointed pieces. When there is enough ink, it looks like one point on the end, but when they start separating, I probably need more ink.

Periodically, I stop to rinse and scrub my pen. I dip it in my jar of water, and use a clean brush to scrub any dried bits of ink/paint off of it. Then I dry it gently with a rag or paper towel, reink, and go back to work.

For this doodle, I had both white gouache and blue gouache in my paint tray, and I went between the two when I was reinking.

Can you see why I like drawing with gouache? The possibilities!

I was inspired to pull out my gouache today by the April DIY Challenge: Watercolor. We’d love to see what the theme inspires in you, so pull out your favorite medium and tools and share with us!

AIM DIY: Scrap Paper Ironwork Letter

March 25, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

I’ve been playing with black card stock a lot lately, which deposited a nice collection of paper scraps in my “use it this week or dump it” pile. I decided to use the Diy Craft Challenge as an inspiration to use them, and play with another thing that’s been catching my eye– quilling. (Although, in typical fashion I looked up a couple of tutorials on You Tube, promptly forgot what I learned, and did things my own way.)

Supplies

• A 5×7 Frame without glass, painted black to match the paper
• A print of a favorite letter, sized to fit inside the frame (I printed my letter backwards using a setting on my printer called “emulsion side up”. It works just fine to print it the right way round, you just might have to erase your tracing paper lines.)
• Black paper (I used 100# Cardstock)
• Tracing paper
• A piece of cork to pin to (A cork trivet like this works, or a bulletin board or pinning board. Styrofoam also works in a pinch.)
• Straight pins
• A few toothpicks
• Tacky glue
• A craft knife and ruler

First I measured the depth of the frame, and cut a bunch of strips of paper that width using a craft knife and scissors.

I cut the paper against the grain so that it would curl as evenly as possible. (Grain is very important, especially when working with thicker papers. For a little more about grain, and to find the grain on the paper you are using, check out yesterday’s post.) You will use less of the paper than you think, but it’s better to have too many strips of paper than too few! (I used about 15 pieces of 8″ lengths for mine.)

I used tracing paper to trace my letter onto a larger piece of black card stock,

then carefully cut it out with a craft knife.

Next step was to outline my letter with a strip of paper. I dipped a toothpick in a pond of glue and drew a light line of glue down the center of a strip of paper.

Then I slowly wrapped the paper around the letter, holding the piece down to give it time to attach. At sharp angles I either folded the paper (if I could) or tore the strip and started a new one there. This task is finicky, but forgiving. I found that as long as I went slow and worked with the paper, it turned out fine.

I made sure to outline the whole letter, then I gave it a few minutes to rest and dry.

Once it was mostly dry, I moved to my cork backing. I used straight pins to firmly place my black frame so that it would not shift around on the cork, and decided where I wanted my letter to fit in.

I applied glue with a toothpick all the places my letter touched the frame, then used pins to secure it as well. I set pins up against the letter wherever it felt like it might flex or slide.

Finnicky steps done, now to the decoration!

To make the various curls I used inside the frame, first I ran the strip against my nail to loosen it up a little. (Kind of like curling that terrible plastic curling ribbon) Then I wrapped it around a clean toothpick to get the size curl I wanted. I also played with folding then curling, curling multiple pieces, and curling different ways. I basically went curl crazy.

When I had a nice pile of curls to choose from, I was ready to place and glue them.

Gently I squeezed each curl in place, and used my glue-toothpick to apply glue to any place a curl touched another part of the piece. I left the space around the letter pretty open so that the R would stand out. When I had everything glued in, I let the whole thing sit for an hour to let the glue dry.

I really love the way these turned out. They’re crafty, but classy, and they are now hanging in our guest room for our two most frequent guests.

I bet you can do even better! You still have a few days to enter our DIY Craft Challenge by March 30th.

AIM SHOW + TELL: Watch Ali Draw Words

March 4, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

I think that it’s one of life’s small miracles that no one has to listen to all the noises that go on in my head while I’m working. The cajoling, the reassuring, the brainstorming, the problem solving, the bickering, the promises, the compromises… you get it. It’s noisy, but generally productive (“What were you thinking, Ali?” “You can do it, Ali!”) That’s my process.

Since this month’s craft challenge is all about LETTERS, and so am I, I thought I’d give you a little glimpse into the sketching steps of my lettered pieces.

I showed you my travel kit of supplies, but my sketches rely on just a few tools. A mechanical pencil, a ruler, a compass, clipboard, lots of erasers, and some thin white card stock.

I usually have a concept that I’m trying to convey in words. Often it’s one of the mantras I repeat to myself while I’m working (which makes the whole process very meta.) I will write down a bunch of phrases, and think about…
• Priority of words (Visual Hierarchy) – The most important words should generally be biggest and easiest to read to reinforce the message of your piece. I like to think that if you only read the big words, it would be like a summary of the whole statement. As fun as it is to make a really big and elaborate THE, it doesn’t make much sense. (THE message gets hidden.) You can also use visual hierarchy to hide a message and make people really look.
• What shapes I can use in the phrase: Is there a representative shape I can work into the overall form of the lettering? If I’m writing about lemonade, should I make it fit into the shape of a glass?
• What kind of typography would best represent the words? – Some words want to be formal (“Typography”) and some want to be flourishy (“Passionate”). Sometimes it’s fun to mix those up.

I’ll also start looking at the way a word is structured so I’m sure to give it enough space per letter.

When I have a general idea of the shapes I’d like to play around with, I’ll build myself a make-shift grid with the ruler and compass. I find that I like to make mostly symmetrical pieces, so I’ll map out the middle of the page and go from there. I end up with a lot of extra reference lines, but that’s fine.

Then I will start very lightly penciling in the skeleton form of letters. I do A LOT of erasing, so light lines are important. Usually while I’m working on the basic structure of the letters, I will start to think about the shape they will take in the end.

I am constantly working to find the center of a word or phrase. I can count letters in my head, but nothing beats a quick jot down of the phrase. I’ll then count (including spaces) and mark the middle. (This is also helpful because if a word has a lot of skinny letters – like Ilif – it will be much shorter than one with fat letters – MmNn)

At some I will inevitably get a “better idea” and shift a bunch of letters to work better. In this case I shifted my grid up, erased and re-lettered.

One of the best consequences of lettering practice is that I’ve started to think of writing as “drawing letters” which makes it sometimes possible to write backwards or sideways. This helps with lots of things including spacing words from the center line (see above). It is also SUPER handy when you’re a lefty who loved to drag your hand through wet ink all the time.

When I have the skeleton of the letters basically where I want them, I will make decisions about how to flesh them out. My first inspiration was the word “Letter” which reminded me of a typeface I love in my very precious American Wood Type book. (We’ll be showing our favorite lettering books later in the month!)

I love to keep printed samples of type on hand to look at. I used to try to look at inspiration on a screen, but it never translated right in my brain. I’ve started saving all sorts of printed materials (filed by style) to look at when I’m lettering.

Again using a light touch, I will start to add details to the letter using my inspiration pieces. Sometimes I make little changes in a letter form to better fit my space (hey, I can do what I want!)

Sometimes the skeleton of my letters will have to move to allow for more space for some letters

and sometimes the letters stretch outside of my borders.

Once I’m happy with the general form of everything, I’ll start erasing the extraneous pencil marks.

Once they are gone, I will sometimes look at the whole thing and decide to make changes.

Like for instance, I might change the phrase itself.

But that’s okay- it’s just a sketch. If I love it I’ll take it to the next level with paints and ink, and if I don’t love it I’ll put it away to inspire me another day.

What’s your sketching process? Is it anything like mine?

AIM BEHIND THE SCENES: Creative Blog Hop

November 25, 2014October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

We were invited to participate in the Creative Blog Hop by Lindsay at A Wooden Nest, and I thought I (Alison) would take a swing at the hop.

Late on the holiday designs, as usual. Somehow I can’t seem to come up with anything when it’s 70 degrees and sunny.

What am I working on?

I split my time between running the So There shop in Issaquah and working on my own line of paper goods. I have to be very careful to give myself time to work on creative things, and sometimes I can get spread a little thin.

I’ve been a little more focused this week, because I sprained my ankle and have to do seated tasks. That means more drawing and painting and inking. I’ve finally been working on my holiday cards (if they’re too late, I’ll use them next year!) and trying to add a few more card designs to my line.

I was trying to be clever with this left-handed journal.

How does my work differ from others of its genre?

I always have the same goals on repeat in my head while I work. I like to think that if you look at my work as a whole it represents those goals… I hope it does, anyways.
• Make it useful & clever. Let it solve a problem.
• Make it funny, even if its audience is limited.
• Make it pretty, but not cute.
• Make it unique.
• Let it be imperfect, because no matter what you do, it will never be perfect. Ever.

IMG_0429_2b — I love to come up with ways of reusing materials in my work. These card catalog pieces took a long time to find a function on lampshades.

Why do I write/create what I do?

I’m coming to grips with the fact that I have a couple of creative motivations– that are sometimes at odds with each other.

One is all about problem solving. I like to make products that serve some purpose bigger than aesthetics. Some of my favorite products have come about this way, the FlipOver Planners and Delicious Recipe books for example. Other times the problem I’m trying to solve is more about using or reusing materials instead of throwing them away. That’s where the Library Card Lamps, Doodle Jars, and handmade paper cards come in.

The other thing that drives me is a need to draw, and write, and express myself however I can. There’s a weird kind of connection that comes with a stranger appreciating my work. It’s not so much a “look at me and how awesome I am” but more of a quiet need to be understood, and to know other brains work like mine does. I guess that’s my artist side.

This is one of my more obvious sketches, but only I know what I am really up to.

How does my writing/illustration/creative process work?

Because my work is all over the place, the development takes a lot of different forms. The beginning step is the same for almost everything. I usually start with a really basic sketch on with whatever is conveniently close. The sketch is often peppered with descriptive words, and would mean nothing to a casual bystander.

If I’m doing a drawing I’ll typically move to a piece of card stock with a pencil to capture the energy of the idea as fast as I can, and that’s that.

If I’m working on something that’s more of a product, sometimes I let the idea rest there for a bit, until I’ve flushed it out a bit more in my head. I’m likely to start experimenting with materials next– building “dummies” out of paper, or string, or other things that are close to what I’m planning to use in the end. I like to work with scale and shape before settling on a style for the graphics or art. (Form and function and all that.) After that it’s a process of perfecting my method for production, making the product and the art harmonious, and making sure that it’s going to work.

These “dummies” are helping me figure out the form of the new FlipOver planning system. I’m making them the same shape, and with the same types of paper so I can see how everything will work.

Well, I think that’s about it. I want to thank Lindsay for inviting us to the hop!

*You can find some of my work in my etsy shop but everything shows up first at the So, There store in Issaquah– especially one of a kind pieces.

AIM DIY: Herb and Spice Gift Wrap

November 5, 2014October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

I’ve been getting a lot of questions lately about my lettering, and a few poor souls have even asked if I teach a class (HA!). I tell everyone the same thing– my lettering has improved over the past year because I’ve been practicing. I know, that sounds like a cop-out, but it’s true! I’ve been making signs and chalkboards for the store, lettering in my prints, and wearing through Prismacolors like nobody’s business.

The key, for me, if to cut myself some slack while I’m practicing. Doodling letters is swell, and I take any opportunity to write words in weird ways.

This wrapping paper is a perfect example. I wanted to come up with a simple way to wrap a couple of small gifts, and went to the (very soggy) garden for inspiration. The remaining herbs were so pungent and gorgeous that I decided to use them as accents on a basic brown paper wrapping.

The whole thing’s pretty simple, and I’m sure you could come up with something even more special. The point is, I was able to mess around with letters and words without feeling too self-conscious. It’s just wrapping paper, and the herbs take center stage.

For the second gift, I made a tall bag with a few materials, and I thought I’d share my process.

Supplies I Used

• Plain brown kraft paper – you could also repurpose a grocery bag.
• Fresh herbs from the garden
• White Prismacolor Pencil
• Flour & water to form a paste. You can also use glue, of course!
• Scissors
• Pencil
• A can of spray paint as a base form

First I traced the base of the can to form the bottom of my bag…

and cut out the circle, about 1/4 inch inside my line.

I then measured the can and cut out a piece of paper for the main part of the bag, leaving myself about 2 inches of extra height to wrap along the bottom and enough width to cover the whole can with a little overlap.

I made a fold at that 2 inch mark, and cut a little fringe into that end (the bottom.) You’ll see why in a second.

I used my trusty white pencil to doodle words all over the paper.

I’ve started using a flour paste for a lot of paper projects, lately. Here I used about equal parts water and flour, mixed well, and applied with a cheap paintbrush.

I wrapped the paper around my spray paint can and painted both edges with my paste…

then began folding the fringe pieces down. Once those were down I painted them, and the round bottom piece with paste…

applied like so, and left to dry.

After it was completely dry (a few hours later) I trimmed the top of the bag, and filled it with my gift, and a little tissue paper.

Simple directions for a unique bag- and a great way to work on those lettering skills.

Are you inspired by herbs, like I am? Don’t forget to share you spice & herb work with us for our November DIY Challenge! We’d love to see what you think up.

(You know, keep life spicy.)

AIM TOOLBOX: Dremel Micro Review for Glass Etching

September 17, 2014October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

I have a secret. I’ve been hoarding glass bottles… and jars. Sure, I’ve been drinking out of a set of 6 jars, but what no one knows is I have a whole box of them in my closet.

Shoot. Now you know.

The big plan was to use etching cream to mask and etch them into glass masterpieces– but something always stopped me. It may have been that the first time I pulled out the etching cream, Safety Husband insisted on reading the ingredients and warnings. He then set out a strict list of suggestions for using the DANGEROUS stuff I got from the craft store. I followed the suggestions once, but lived in fear of getting out the cream ever again. I had the PPE for it, but even so, it was a little scary. “Wear gloves. You don’t want it eating through your skin… to your bones.”

We live in a world of excess caution, over here.

Safety Husband recommended safety goggles and a respirator- talked down to spectacles and a dust mask. — For Dremel Etching, Safety Husband recommended safety goggles and a respirator- accepted spectacles and a dust mask.

The box of glass lived to taunt me. Sitting in there, instead of going to the recycling bin where it belonged; until I got the bright idea of looking for alternate etching options. There are a lot of great, videos, but the one from Dremel sold me. It was time to replace our old rotary tool, so after some shopping I decided on the…
•Dremel Micro, which is cordless.
•I bought two diamond bits, but I’ve only got around to playing with the one that looked most useful, the Dremel Diamond Wheel Point Bit.
** UPDATED 12/14 – I’ve since started using two different diamond bits with more success. 7105 Diamond Ball Pointand 7103 5/64-Inch Diamond Wheel Point

Experiments

I tried several different ways of getting my initial artwork laid out, including drawing the design on with a Sharpie, as well as using masks that we had made with the intention of using the etching cream.

Tara Bliven drew and cut out this beautiful mask for me.

We drew and cut these masks out of contact paper, but you could also use masking tape. They are a great way to start out, because the mask will help you learn to control the tool. Thankfully, this is a cordless dremel tool so you don’t have to worry about the wire tangling whilst you’re trying to follow the guide. If you jog out of the lines, the mask material will shred before you mark the glass, giving you one chance to screw up without consequences.

The mask is definitely the most time consuming and tedious way to go. I’ve moved on to freehand patterns, and occasionally use paper templates that taped to the other side of the glass. (More on that later.)

Tips

•Higher Speeds (controlled with a button on this model) work much better for etching glass. I usually use the second to highest speed. The highest works even better, but the sound is skull-splitting, so I only use it when absolutely necessary.
•Using the bit I’ve listed above, you will mainly be making thinnish lines, so plan on going over your artwork a couple of times. It works best to hold the bit as close to parallel with the surface of the piece.
•Make a jig for round items. I took a couple of wood scraps and made a kind of rail for the glasses to lay in. (See in the photos above.) Make sure it’s small enough to move around, as you will want to be able to approach your piece for all angles. After my experiments, I sprayed the whole jig black so I could see my work more easily.
•Wear Protective Gear… or you’ll get in trouble. I found a dust mask and glasses worked for me, but it might be good to start out with even more coverage, so you might want to look for personal protective equipment to suit you and the job you’re about to undertake. Remember that your glass could shatter at any time.
•Start with thick glass pieces, and don’t grind too much in one place. This is not a tool for drilling, so you’re more likely to shatter your pieces than cut cleanly through.
•Start with trash pieces you’re not afraid to throw away. There’s definitely a learning curve.
•Hand-wash any pieces, to make sure you’re not shocking the thinned glass with hot water.
•Work outside. You’ll be generating a ton of dust. While I haven’t had any sharp pieces (yet) it’s nice to let nature get rid of the dust.
•This is a no-distraction project. Don’t plan on watching TV while you work with power tools.

Things to Love

•It’s lightweight. Initially I was planning to use a flex shaft like they use in the video, but the cable is not very flexible, and I decided the lack of cord would be a benefit.
•It compact and easy to transport (although it does not come with a carrying case.)
•The battery lasts longer than I do. I haven’t had to stop what I was doing to recharge.
•I haven’t hurt myself (yet). This is always remarkable.

Things to Hate

•The “Lock” button sticks out just above the power button, and I have hit it accidentally a couple of times while the Dremel is running. It makes a terrible sound to tell me I’m killing it to death.
•It’s still a little clumsy. Even though the end is tapered so you can hold on to it, it’s more like trying to write legibly with a Squiggle Pen than an actual writing implement.
•It is quite tricky to get make a curve. A lot of this has to do with skill, and the kind of bit I’ve been using.
•The sound, especially at higher speeds. It makes a high keening when you’re using it on the glass. The birds have been complaining about this as well. It’s just life in the etching game.

Things to Try

•More bits. I tried scratching the glass with non-diamond bits with little result, but now that I’m hooked on the etchin’, I’m going to try everything. (If you have suggestions, I’d love to hear from you.)
•More freehand designs.
•On flat surfaces, like plates, trays, etc. On mirrors.
•Make a set of matching glasses, with patterned numbers, using paper templates. That’s pretty specific, huh? I guess a DIY is in the works… but until then, have fun!

AIM TODAY: It’s Okay to try it Your Way.

September 3, 2014October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

As creative folks, we know that our work will change over time. We’ll have struggles, and we’ll have breakthroughs.

I feel like I’ve been going through a lot of that lately. I’ve had to make changes to the way I do things to accommodate for my schedule at the shop, and the limited time it’s allowed me for more creative endeavors. All in all it’s been a great experience, and has caused me to grow in directions I wouldn’t have expected. Since we’re focussed on building a creative community here at A-i-M, I thought I would share some of my experiences and encourage you to share your own.

Today I am thinking about…

Trusting Your Instincts

A friend keeps reminding me that “you have to know the rules to break them”, but I’ve always been the kind of person who knows the rules- then sticks to them. My rebellious side would let me break a few,secretly, but the other side would never be happy unless my lines were straight and my skill immaculate. It was tedious, and I was never happy with what I was making.

Because of limiting factors, I started working in a new way. I moved away from the computer and started working extensively in pencil. I would sketch, erase, sketch, erase, until I built up a design I was happy with. It all happened on one pieces of loose-leaf card stock; with a lot of lead, and a lot of erasing.

But I kept questioning myself. What if I was doing it the “Wrong Way”?

At some point I just decided to forget about it. It doesn’t matter if it’s the wrong way if I am happy with the result. Our satisfaction with our work is the most important outcome. If I was happier breaking a few rules and following my own instincts, then that’s the way it should be.

We have to have the confidence that our way is the right way, for us at least. That means trying new things, and feeling it all out…

but that’s what growing up is all about.

********
What do you think? Have you had any breakthroughs this summer? Any projects that surprised you?
Are you trying things your way?

AIM TOOLBOX: Alison’s Essential Drawing Supplies

June 25, 2014October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

My favorite supplies have changed a lot over the years. Right now I have a loose-leaf system that works great for me, and along with my travel kit, it’s incredibly portable. (Portable tools mean you’ll get more done, more places!)

Since I have a tendency to do things a little differently, I thought I’d share a little about my process and supplies; then let you decide if you think I’m crazy- or a crazy genius.

I’ve included links to many of the supplies, in case you’d like to try them yourself*.

Paper and Stuff

I like to work on 8.5 x 11 inch loose-leaf pages because I can carry them around easily. From time-to-time I’ll cut pages down so I can have an even more portable set- but I keep the same selection of papers.

A. Papers

I use Smooth White Cardstock for early sketches and drawing. Cardstock handles a lot of erasing a redrawing.
When I can’t erase any more, I’ll do additional edits on cheap tracing paper.

I use higher quality Canson Marker Paper for final drawings, and for inking. I tried a bunch of different papers, and this was the best with my Uni-ball pens. It doesn’t bleed too much, and dries quickly enough that I’m less likely to drag my left hand through wet ink.

Graph Paper and Miscellaneous Guide Sheets I’ve found it’s handy to keep guide sheets that I can use with tracing paper. I usually have sheets of graph paper, script slant guides, and other handy shapes I use a lot.

B. Clipboard

I love this low profile aluminum clipboard. It’s lightweight and means I can draw anywhere.

C. Project Filing

I keep each project I’m working on in a clear page protector. When I’m done, I can discard the pieces of my process I no longer need, and retire the whole protector to a binder or other file for safekeeping.

Tool Kit

I do as much work at the store as I do in my studio, so I’ve come up with a very extensive travel kit to carry. (I like to be prepared for everything.)

A. Pencils

I love using Woodless Graphite Pencils for shading, thick lines, and because they are awesome. I use BIC Mechanical Pencils a lot in my early sketching phases. Blackwing Pencils are my newest obsession. The erasers are especially useful, and replaceable! I prefer the harder “Pearl Pencils”.

B. Pencil Sharpener

This small metal pencil sharpener is essential if you want to use anything other than a mechanical pencil.

C. Erasers

I use a Mars Plastic Eraser for heavy duty changes and a narrow eraser for getting into tight spots

D. White Pencil

I often us a white Prismacolor Pencil to correct mistakes that can’t be erased, I also like to be able to draw on surfaces that aren’t white. (See the pictures of my work table.)

E. Ruler

This 6″ Ruler was one of the best things I added to my kit. You can’t eye-ball every line.

F. Compass

For years I used a cheap school compass, and when I upgraded to this guy, suddenly my life got so much better. Perfect for making curves, and circles.

G. Inking Pens

Uni-ball Pens are my preferred pen for inking on marker paper.

H. Scissors

A tiny pair of scissors like this comes in handy often.

I. Permanent Marker

I love the twin tipped Sharpie Markers. Sometimes I want to go nuts and make a permanent drawing impact (ie. leave my tag somewhere.) I don’t usually do that, but a permanent marker is great to have on hand.

J. X-acto Knife

I think everyone should have a quality X-acto Knife. I use this one from Martha Stewart Crafts because the lid stays on well, which is important in a tool that travels around with me. I also like to keep a few extra blades on hand; this box set does just that, and has a place to store the old blades.

K. Glue

It’s important to keep glue around for when you want to add something to your drawings. A glue stick works well, and leaves less mess in your bag. I also carry around a small roll of scotch tape.

L. Miscellaneous Tools

You probably need a Bone folder. I also try to keep something that will poke, but isn’t sharp, like this embossing tool, or a small wooden skewer. Think of other miscellaneous tools you might need – a needle and thread?

M. Pencil Bag

A gorgeous pencil bag will inspire your work. Check out this lovely one from Slide Sideways (now Year End Co.)

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Well, now you’ve seen what I’ve been working with lately. It’s not your usual collection of art supplies, but life is all about trying unusual things!

*Support Adventures-in-Making by shopping from our Amazon store. We’ve selected a few things that we love, and think you will too. If you purchase through us, you pay no more for those items, but we get a small portion of the sales to further the adventures. Check out the whole store at http://astore.amazon.com/adveinmaki-20