AIM DIY: Watercolor & Wax Paper Jewelry

August 2, 2016October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

Sometimes I come up with a project that I enjoy so much that it’s hard to stop to write a post. This, my friends, is one of those.

It’s a simple combination of watercolor, melting wax, and punching shapes- but it’s oh so satisfying.

SUPPLIES

Thick paper for Watercolor
Watercolor paints and brushes
Pencil
Straight Edge
Paraffin Wax
Scraping Tool, like a vegetable peeler.
Iron, ironing board, towel or other surface to catch wiley bits of wax
Parchment Paper
Scissors
Large Thick Material Punches (optional but recommended) I used circle punches in 2″ diameter, 1.5″ diameter, and 1″ diameter
Small hole punch
Thin cord or ribbon
Jump Rings (optional)

Step One: Paint it

Gather your paper, pencil, straight edge, paints and brushes.

Draw several parallel lines with your pencil to create stripes of varying widths.

Begin filling in each stripe with a color in the order of the rainbow. (ROY G BIV – Red Orange Yellow Green Blue Indigo Violet).

If you fill a small stripe, use a similar color next to it (Orange red and Red for instance.) It’s okay if your paint is a little irregular, or you have small white spaces.

Now it’s time to paint the back of your pendant. Draw some non-parallel lines on a new piece of paper, and fill them in with some of the same colors you used on the other side. Leave a little white space as well. Set your paintings aside to dry.

Step Two: Wax it

Now you will need your ironing setup, parchment paper, and wax. You might have a little wax escape during the ironing process, so it’s a good idea to have a scrap towel or cotton fabric to protect your ironing board. Remember to keep an eye on your ironing so you don’t singe anything!

Sandwich one of your dry watercolor sheets inside a piece of parchment paper. Shred a pile of wax on top. (You can always add more wax, so this is a good time to play!)

Turn your iron to it’s lowest setting, and gently melt the wax between the sheets of parchment paper. You will see the paper start to look wet. Continue working the liquid wax into the paper until it starts to be consistently translucent. You may want to add more wax.

Flip your paper over, and add a pile of wax to the other side. This will be the “glue” that holds your two sides together.

Lay the other piece of paper on top of that pile…

shred some more wax on that, and iron again following the earlier instructions.

Continue to add wax until the papers are translucent and consistently wet looking. When you’re happy with the look, put a little bit of weight on the stack, and let it cool for a couple of minutes.

When it is still warm, but safe to touch, uncover the paper, and use your finger or a tool to smooth any puddles of wax. (Playing in wax is one of my favorite things!) Now let it cool completely (a few minutes.)

Step Three: Punch it

I am loving these thick material punches from Fiskars. I have long abused normal paper punches, and they have a habit of breaking at the worst possible moment. These punches go through everything like butter.

Use a punch (or scissors) to take shapes out of your waxed paper…

until you have a nice little pile of shapes to work with. To turn solid shapes into pendants, punch small holes on one or two sides. You can run cord through these holes (or attach jump rings.)

After you have everything cut out, polish the shapes by using your fingers to rub excess wax off the surface and edges.

Feed thin ribbon, cord, or chain through the holes in your pendants. You can feed your cord through, wrap it several times, or tie a lark’s head knot. Anything goes! Leave enough room to slip the necklace over your head, and you’re set.

Double sided rainbow pendants!

Now I want to wax all the paper. Someone stop me before I go too far!

AIM DIY: Patio Friendly Pile-Up Cushions filled with Styrofoam Peanuts

May 3, 2016October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

The weather was nice for a few days in April, uncharacteristically, and began the countdown to the Pacific Northwest Summer. Ahhh; the handful of blissful weeks that makes you fall in love with the trees again, and wipes the memory of the last 8 gray months.

Safety Husband and I have been trying to be more mindful, and that extends to the way we interact with our home. We are who we are [not catalog people] and we want everything at our house to be conducive to the way we live. We have several outdoor areas that would make great external living spaces, but we haven’t done a great job of outfitting them for the task.

All this to explain why I decided I needed to make a giant pile of outdoor cushions that I could lay upon like the Princess and the Pea. I wanted them to be cheap, washable, refurbishable, and also work with our inside decor. Fabric and wood don’t do well outside over the Seattle winter, and I can’t store things in out non-existent storage space. So I put together a handful of pillow forms from scrap material, filled with recycled styrofoam peanuts; then covered them with painted canvas covers. In one afternoon I had 7 assorted cushions, and dreams of the perfect summer.

SUPPLIES

Fabric scissors and optional pinking shears
Sewing machine and thread
Pillow Form Fabric: approximately 24″ (2/3 yard) of 45″-wide lightweight scrap fabric per pillow
Pillow Cover: approximately 24″ (2/3 yard) of 52″ to 60″-wide canvas-type material per pillow
Styrofoam Peanuts: about a grocery sack full per pillow. Make sure that you are using styrofoam peanuts instead of the cornstarch ones that melt under water. Imagine the mess!

DECORATING SUPPLIES

Tulip Color Shot Fabric Color: I used Teal, Blue, and Green.
Scissors
Tape: masking, packing, cello, washi. Whatever you want!
Con-Tact Paper: A great option for cutting out larger masks or covering more material.
Decorative punches and scissors
Compass, or fun shapes to trace

Step 1: Making the Pillow Forms

Take your scrap pillow-form material and fold it so that the selvedged edges touch. Cut the other two sides with pinking shears so that you have an approximately 23″ square (45″x23″ unfolded.) Sew a 1/2″ seam along the two pinked edges, then do the same for about half of the remaining side.

Fill the form about halfway full with peanuts, then sew the opening closed to seal your pillow form.

Hire a professional to test the security of your stitching.

Repeat until you have run out of material. (I made 7 pillows so that I could make a GIANT PILE.)

Step 2: Making the Pillow Covers

There is dirt outside, so you want to make sure that your pillow cover can be easily removed and laundered; this also means you want to pre-wash your fabrics so there is no future shrinkage.

Cut your fabric to about 23″ wide. With the back side showing, fold the width of the fabric into a tube about 22″ wide. The overlapped pieces will make the flap for inserting and removing your pillow form.

Stitch up the two open ends of your tube approximately 1/4″ in.

Then turn the cover inside out using the open flaps. Make sure to press the corner all the way out with your finger or a pencil.

Stitch around the outside edges of your pillow cover, about 3/8″ in- then you’re done!

Step 3: Decorating the Cushions to Match your Life.

Decorating the pillows was definitely the biggest fun in this project (other than sitting in the sun on the cushions later.) If you’re a selfless person, you could share that fun with your family and friends, and let each person design a mask for their own pillow. Masking the pillow is as easy as using tape and scissors. Build shapes out of strips of tape, or cut shapes out of contact paper. (ABOVE: I used a compass to draw circles, then cut and arranged them on the front of my cover.) You could have the initials of everyone in your family, silhouettes of your pets and favorite animals… anything really.

Once you’ve settled on a masked design, take it outside and spray it down with your fabric spray paint. (I used Tulip Color Shot Fabric Color which is washable and flexible.) Remember that spray paint doesn’t ever go on consistently, so embrace the irregularity and leave some patches lighter than others.

After you’ve got a nice coat of paint on, let your cover dry for an hour or so before pulling off the mask.

Then let your covers air out for a few more hours.

When everything is dry (not sticky or smelly) you can put your pillow forms into your covers. Slip the form into the open flap, then push it down under the inner over-lapping flap. Press the corners of the form into the corners of the cover and shake and stomp it until everything looks nice.

Then build the tower of pillow on which you will reign.

Or, you know. Share with your friends.

Wheeee! Pillows.

AIM DIY: Photo Album Pop-up Ornaments

December 17, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

Okay. I’ll admit it. I have possibly been making too many ornaments.

The floor is covered in little bits of paper, the ribbons are everywhere, and cat is oh so happy. (Happy and thus in the background of many of my photos.) I can’t help it. I’ve given myself over to the ornament bug, and even though I’ve told myself that these are ‘just this year’s ornaments’, I’m not sure I’ll have the self control to throw them all away.

I need a crafter help line… or maybe I can just spread the decoration disease and have you all join me in the madness. (*evil laughter*)

My sister recently handed over a large bag of family photos, and after the proper period of mortification I decided that I needed to do something with them. The best part about being in charge of photo projects is that you can include only adorable pictures of yourself, and edit out the slightly more awkward times.

I pulled together a selection of photos of family that yelled “HAPPY HOLIDAYS, Y’ALL!” Scanned and shrank them, then pulled out a few basic tools to turn the faces I love into ornaments I’ll cherish.

SUPPLIES

Resized photos printed on medium-heavy weight paper
Extra colored paper or cardstock
Medium to large hole punches– any symmetrical shape will work, I used circles and ovals
Ribbon or string
Buttons, bells, or beads
Paper glue or adhesive

To begin I punched my favorite people out of my favorite photos, and the same number of circles out of cardstock. Then I chose between 4 and 6 of my favorites, the same number of solid circles, and folded each in half– top to bottom.

I chose a button than matched my cardstock, then cut about 16 inches of string and fed it through the button.

I used my Scotch ATG gun to apply adhesive to each folded piece (glue works too).

I attached each piece to the one before it in a stack, alternating photos and cardstock. (Make sure that you don’t accidentally glue your sister in upside-down. She wouldn’t like that. All photos should point the same way.)

I laid the string and button across the spine of my stack (button on the bottom), added a little adhesive to one of the folded pieces, and attached the top and bottom piece to form a ball shape.

Then I fed another button on above the ball, tied a knot, and fluffed open all the pages.

I love how simple they look from far away, but each page is a memory of the holidays and of my family.

I did a few variations, using different punches, and combining shapes on one ribbon; but they are all put together the same way which means I could spend more time remembering good times than obsessing over the process.

It also means it’s a great project for kids, who might get a thrill out of punching holes out of photos.

and keeping them forever.

AIM DIY: Scrap Paper Strip Ornaments

December 3, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

***

Up until the last couple of years, Safety Husband and I would go home to Texas for the holidays, and we never felt the need to decorate for the season. For the last couple of years we’ve talked about decorating the “Christmas Tree” that just happens to be growing in our upper yard, and this year we’re making it happen. I’ve been putting my brain power into making ornaments that are either weatherproof, or are meant to be thrown away in January. It’s been a great chance to work through some of the materials I’ve been… ahem… collecting.

I love vintage ornaments and paper, and after a couple of years of experimentation I was ready to combine those two loves in this one ornament design. Super quick, because they are held together by staples, a couple of basic techniques can build a whole tree’s worth of decoration.

Supplies

Stapler
Ribbon (3/8″ to 1/2″ wide is great)
Scrap Paper: I used leftover 12×12 scrapbooking paper, but catalog or magazine pages would work well too! If you’re using thin paper, you might want to double up on the number of strips per ornament.
Clips: binder clips work great for this, but a clothespin will work in a pinch. (Pun intended.)
Scissors

To begin, cut about eight 1/2″ strips off your paper. (You can vary the number, just make sure you have an even number of strips.)

Cut a length of ribbon about twice the length of your paper strips.

Fold the ribbon in half, and stack half the strips on each side. Staple near the bottom of the stack, away from the loop of ribbon.

The staple will go through all the paper and the ribbon, securing that point. (Staples must be cheating, because they make this too easy.)

Put a clip about halfway down the paper, clamping the whole stack of paper and ribbon. With one hand, hold the clip, and with the other gently pull on the loop of the ribbon.

This should cause the paper to pooch out a little on the other side of the clip. Repeat the holding and pulling step, but this time grab the ribbon loop and the two strips of paper closest to it on either side.

Repeat again and again, adding another strip on either side, until you reach the outer strip.

Then carefully put a staple through the area the clip was holding.

Trim any excess paper with a pair of scissors.

If you want, you can curl some of the extra paper to add a little decorative detail. Simply roll the paper around a small pencil or paintbrush to curl it.

Once you get the hang of the whole pull method, you can shake things up by doing a similar technique, upside-down.

Staple in the middle of your ornament, and turn each strip back down. Once you’ve turned each strip, staple them at the bottom to form a heart shape.

Using these two techniques you can make a whole range of funky vintage ornaments.

If you get sick of looking at the staples, you can replace them with a couple of stitches. Simply poke a hole in the middle of the stack, and make stitches back and forth to secure the ornament.

Remove the staple, and you’ll never know it was there.

Or spend that time making a whole army or ornaments. It’s up to you!

One set down, more to go.

AIM DIY: Simple Trees for Your Chipboard Forest

December 2, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

Even before I was done building little chipboard houses I knew they would need a little setting to live in. I wanted to come up with a simple and flexible tree template that I could make a whole forest out of. Inspired by my old paper bird project, I used strips of chipboard to build these trees.

Supplies

Scrap chipboard: from the backs of notepads or boxes. My pieces were 8.5×11″
You favorite paper glue
Clothespins or clips
Craft knife
Scoring Tool: a bone folder or dull knife work great

I began by making two score lines along the long side of the board, at .5″ and at 2.5″.

Then I cut two pieces, 1″ wide, off the other side for the trunk of my tree. The remaining piece of chipboard had my score marks on it, and I trimmed it into 1″ pieces (each piece has the same score marks).

I applied glue to the trunk pieces, and clipped them together to dry.

While the trunk glue was drying, I folded each of my small pieces along the score marks, forming an L.

Piece by piece, I applied glue to the .5″ flap and the top of the L…

then clipped them to the trunk. In this picture you can see that I folded the two pieces of the trunk away from each other at the base; this will allow the trees to sit by themselves.

I continued to add tree pieces until I liked what I saw (typically between 2 and 4 tiers), holding each piece with a couple of clips.

When I was happy, let the glue sit overnight, held by the clips. (Happy little trees, as the man said.)

On some I trimmed the top a bit, some I left tall. I love the way the variety turned out. These would be great with snowy glitter added, or paint. I’m just happy to have a forest for my little chipboard houses.

Trees for the little paper world.

Yes, I know I sound crazy. Now go make something!

(;

AIM DIY: Chipboard Village with Free House Template

November 20, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

***

You might have noticed things have slowed down a little over here at A-I-M. Life goes in cycles, as we know, and unfortunately it’s been tripping us up lately. I’m still making things (some of them more therapeutic than others- like the DIY below), but the timing is tricky, and sometimes things don’t make it online as quickly as they should. We’d like to ask you to be patient with us, and give us time to refresh and collect ourselves. We’ll be back to full speed before you know it.

I’ve been trying to simplify my life because I have accumulated too many “things”; and I’ve made a resolution to truly embrace the making of things, rather than the buying or the keeping. (Our house is getting smaller by the second. Someone’s cursed us, I swear!)

So rather than storing ornaments, sparkles, trees and lights, I’m making new temporary baubles from recycled materials.

With that in mind I sat down to make my version (sweet and simple) of a winter village. I built a template that you can use to start your own winter wonderland, and I hope you’ll get as much peace and joy out of it as I did.

Supplies

Scrap Chipboard: I like to save the backs of paper pads for projects like this, or you can grab a food package out of the recycling.
Pen and pencil
bone folder or scoring device
Craft knife
Paper glue: Elmer’s works great!
The printed template: click here or on the pdf below.

Chipboard is great because you can mark it simply by pressing down hard on it. To trace the template on my piece, I clipped the paper down, then…

used a bone folder and ruler to score the dotted lines (that will eventually be folded).

Then I traced over the rest of the lines by pressing down firmly with a pen.

Once I finished tracing all the lines I had a faint guide to work with. (If you like, trace the lines lightly with a pencil to help when you’re cutting.)

Like most cutting projects, it’s easier to start by removing the small pieces of the template. In this case that meant cutting out the windows, the notch on the back, and two sides of the door. (Refer to the template to make sure you are cutting only the solid line pieces.)

When I had the building and roof all cut out, I used a bone folder to score the folds a little more deeply. Then I began folding each flap gently away from the score mark. (Including the roof piece.)

When I had the main part of the building folded, I applied glue to the flap (shown in gray on the template sheet) and held the pieces together until the glue held firmly. (You can also use clips or clothespins to hold it closed for a bit.) Once the base of the house was holding firmly, I added glue to the roof flaps (also shown in gray) and aligned and attached the roof. (You will want to hold this together by putting your hand into the house-box and pressing the flaps against the roof.)

To frost the windows, I took a piece of cello tape slightly larger than the window, and attached it to a piece that was even larger. Then I taped that frosted pane right into the window-sash. I left the door bent slightly in, to welcome little chipboard guests!

Now that you’ve got the hang of home-building, you can reuse this template by resizing it, or come up with your own design!

For my second building, I used the natural folds in a cracker box, and drew windows and a door with a pencil before trimming it out. Remember to leave flaps to attach the roof! (But in a pinch, a piece of tape will work as well.) Simply erase the lines, glue everything together, and plop it into your village… and when it gets dark…

slip a few LED Christmas lights under your buildings for ambiance. (The notch I included in the template is super handy for running the wires out the back of the house.) Make sure to use low-heat lights, since they will be surrounded by paper!

If you’re anything like me, you won’t be able to stop at chipboard houses. I really want to add some chipboard critters… These little houses make my imagination run free.

One thing that’s for sure, they need to be surrounded by a forest. Next week I’ll show you a quick and easy way to build your own magic woods.

One note: I’m a big fan of letting the materials show in my projects, but remember you can camouflage the materials quickly by adding a little paint (spray or acrylic would work great) or by using it as a base for decoupage or collage (like our shadowbox project). Go crazy!

AIM DIY: Finger Crochet a Round T-shirt Rag Rug

November 5, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

****

Despite my sister’s best efforts I’ve never been able to make sense of real crochet. The “finger crochet” method I describe below is something that came out of a lot of experimentation, but I’m guessing you fiber wizards could whip up something even better! If you’ve done a similar project, or have suggestions to make this DIY more clear, please feel free to tell us about it in the comments below.

When I finished re-weaving my t-shirt rug (updated photos at the bottom of that post) I figured out two important things.

There is better way to cut a t-shirt into strips (fewer, longer strips.)
Once you know how to cut t-shirts into long strips, no t-shirt is safe.

Which translates to: I had a lot of leftover strips of jersey, and wanted to use them up! I started braiding, tying knots, and eventually settled on a method that can best be described as the frumpy cousin of crochet.

PREP: Cutting one long strip

Knotting small strips of jersey (demonstrated in the woven rug post) is time-consuming, so the longer the strip the better. After digging around a bit I found this video that shows how to turn a loop into one long strip.

I started by cutting the large loop of the shirt from the top, and sliced across from one side, stopping about an inch from the other edge.

Then I slipped the loop over my arms, and starting at the end of one cut I cut diagonally towards the end of the next cut on the other side of the fabric. Then the whole thing unwound in a continuous strip.

MAKING THE RUG

To begin I tied a slip-knot near the end of the string by making a loop, reaching through and grabbing the strip, pulling it though and gently pulling to tighten. (There’s a great demonstration of a slip knot at the beginning of this video.)

Then I reached through that loop, pinched the strip, and pulled it through to create my first chain stitch. (See steps 2 thru 4 on this Red Heart blog post). This whole project breaks down into pulling a new loop through an old loop.

I repeated this chain stitch about 5 times, then…

tucked the loose string end through the last chain stitch to loosely close the first set of chains into a circle.

To connect the next ring of chains I pulled the next strip (navy) through two existing loops– the one I just made (pictured here closest to my thumb), and the inside of an earlier chain that lined up with my new one (closer to my fingertip).

This way my newest loop connected my existing chain to the one inside of it. I then started a pattern of 3 chain stitches, 1 connecting stitch, 3 chain stitches, 1 connecting stitch, 3 chain stitches, 1 connecting stitch, 3 chain stitches, 1 connecting stitch, 3 chain stitches, 1 connecting stitch…

going around and around the circle.

When I ran out of strips, I pulled the end of my string through the last loop, and tucked it into the rug– because one day I will have more t-shirts to dismantle, and this rug will keep getting bigger!

TIPS

As you are working, make sure not to pull your loops too tight, or stretch your chain when you’re doing a connecting stitch. The looser you work the flatter the rug will sit.
Different shirts will make thicker or thinner strings based on the thickness of their fabric. I opted for a very irregular look with lots of inconsistencies in my strips (width ranging from 1″ – 2″) but if you want a more regular look, stick with shirts of a similar weight, and cut your strips about 1.25″ wide.
If it’s looking weird, pull out your loops and start over! Once you get the hang of this version of finger crochet you’ll fly through this project, so you will quickly make up the time redoing it. Practice has never been more fun.
If you can, work for longish stretches to keep your tension consistent. This is a great “while watching tv or daydreaming” activity.
As always, plan to make one more rug than you have cats.

AIM SHOW+TELL: A Look at the Letterpress

October 28, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

With the weather turning gloomy it’s becoming less practical (and pleasant) to work outside, but I have had more chances to work more with my lovely letterpress. It dawned on me (while I was listening to the clunking and whirring of the machine) that I haven’t ever shared my adventures with this 126-year-old guy, even though he takes up a huge space in my heart (and my bedroom.)

I thought I’d show you a couple of behind the scenes shots, and talk about my printing process.

An old etching of the letterpress model I work with, in the amazing American Wood Type book my mom passed down to me. Synchronicity?

There are a lot of great resources for learning about the history of printing (I’ve listed some resources below) so I won’t get too much into a subject that I’m learning more about all the time.

My first experience printing was at the University of Texas, on a Vandercook press using antique wood type (from the Rob Roy Kelly collection) and modern polymer plates. I eventually acquired a small table-top platen press (a Craftsmen Imperial) and started printing greeting cards and more using the same method I use today on my floor-standing platen press.

Nearly two years ago we moved the one-ton California Reliable into a corner of our bedroom, and it has become a my go-to for printing with love.

IMG_1907_lookatletterpress — Polymer plates before they are aligned on the aluminum base for printing.

While I still use lead type and wood type occasionally, I mainly print with polymer plates on an aluminum base. I draw up the artwork, scan it, clean it up and prep it for the plates, then send the artwork out to have plates made. The plates are somewhat similar to the clear sticky stamp sheets some people use with a clear block; however the material is much harder which allows for much more detail and lets it stand up to the high pressure of the letterpress. The height of the material has to be just right to bring it up to type high on the aluminum block and allow for the ink rollers to roll, and the printer to print.

Hand carved linoleum blocks being printed on a small tabletop press.

Occasionally I get a wild hair and print from hand-carved linoleum blocks. There’s less perfection in this mode, but you can end up with really great results with lots of character. There’s a trick to raising the blocks up to the right height, but it’s definitely possible.

There’s a long list of things I love about letterpress printing, but color is at the top. I love how each color I print is one solid color instead of being made up of a pointillistic nightmare of Cyan/Magenta/Yellow/Black. (There’s no room in my blue for little pink dots.) Each color on a letterpress print is printed separately; each color has its own plate. I’m a somewhat inexact ink mixer, but I always seem to end up at the right color (and I try not to get ink everywhere.)

IMG_1873_lookatletterpress — Printing the first color of a leafy card.

Alignment (registration) is something that has taken a little getting used to, but I’ve come up with a method that works great for me. Here you can see a couple of polymer plates on my aluminum base, printing the first color of a two-color card.

The opening and closing action on this Gordon-style press is powered by a flywheel and a foot-powered treadle. There is a single magical dance that inks the rollers on the ink plate, rolls them across the printing plate, then presses the paper into that plate to make a print. (I’m learning a little more all the time about the mechanics of this magic, but the first lesson was DON’T LEAVE YOUR HAND IN THERE.) I’m responsible for pumping with my foot/ankle/hip and feeding paper.

IMG_1862_lookatletterpress — Printing on paper handmade from the scraps of other cards.

One of the nicest things about the letterpress is that with a little ingenuity you can print on just about anything flat. Most of my pieces are printed on thick cover stocks, often 100% cotton. I’ve started printing more and more on sheets of handmade paper that I make from the trimmings of those other cards. I love the texture and softness of the paper I make, and I adore the fact that it means I’m contributing less to the landfills. (Want to know more about making paper? 1 2 3)

I’ve also just started to experiment with printing on fabric…. I have ideas….

So that’s my old guy. Our love is still new, but I think it’s made to last.

Time will pass– I will get more ragged and he will get less, and he’ll always have new things to press.
I’ll keep learning.

Resources and Links

Briar Press: A never ending resource for letterpress parts and printers
Letterpress Commons: Developed by Boxcar Press with articles and resources
Boxcar Press: My usual source for polymer plates and some other materials and supplies
Reich Savoy: One of the papers I print on.
Van Son Rubber Base Plus Ink: My preferred ink

AIM DIY: No Sew Woven T-Shirt Rag Rug

September 24, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

A couple of months ago I tore up the carpet in my office and replaced it with a wood-ish surface. It’s been great through these warm months, but I want something to stand on when the cold sneaks in. Couple that need with a stack of t-shirts left over from the quilt project, and you have my newest best friend, the t-shirt rag rug.

I built a 30″x30″ make-shift loom out of a piece of plywood and scrap wood, but if you search online you can find frames built from pretty much anything. (A Beautiful Mess used cotton scraps and a big piece of cardboard. Also, Pinterest)

I put nails along each end, 1 inch apart. Good hammer practice for a hammer novice.

With the loom assembled, I moved to materials.

SUPPLIES

Approximately 11 T-shirts
Fiskars Rotary Cutter
Cutting Mat
Metal Ruler
Scissors

Stripping

The rug was built with 1.5″ loops for the warp (base strips) of my rug, and 1.75″ strips woven through.

I used a large straight rotary blade and a metal ruler to cut three navy shirts into the 1.5″ loops, then cut the rest of the shirts into 1.75″ strips. (This is a very forgiving fabric, so estimation is ok!)

I hooked the navy warp pieces on each side of the loom using the natural loop and stretch of the t-shirt.

I prepared to weave by attaching the first strip to the first warp loop. I cut a slit in one end of the strip, fed the other end around the first warp piece and back through the slit. Then I pulled it tightly and began to weave.

Not a normal knot.

I connected a lot of strips to finish this rug using the method shown below. It’s quick and tidy, and ensured you don’t have a lot of extra bulk at your connection points.

Cut a small slit in the ends of each strip.
Feed the new strip into the hole at the end of the other.
Take the other end of the new strip and feed it through the slit on the same strip.
Pull on the new end to tighten the knot. Smooth or trim extra material if needed.

(The video below shows how I knotted at the end of a strip.)

Now Weave!

Starting at that first warp piece, I wove in and out of each loop to the end of the loom. At the end I wrapped either over or under the last piece to start back down the loom. The second strand went over the strands that the first went under, and vice versa.

From there it was basically rinse and repeat. I wove back and forth, connecting strips and changing colors.

When possible I fed the strip through the warp flat, then pulled it down with my fingers to bunch it up.

The pattern and color combination were very important to me, and I got more and more excited as I worked on it. When I put the final strip in, I tied it off using a normal knot on the last piece of navy.

Finishing it off

Here’s where I admit this rug is really just a gigantic pot holder, and I finished it off the same way. I pulled the first warp loop free and fed the second through it, then fed the third through that one, and so on down the line. (Video Below)

Once I was down to the last two loops, I changed tactics. I cut the loop of the last piece, fed one strip through the second to last loop and tied it off.

I did the same thing on the other end and suddenly had a rug in front of me.

After basking in the last moments of sunshine, I rolled up the rug and brought it inside.

Where it was immediately claimed by another friend…

Cooper.

Looks like I’ll have to weave another rug for myself.

Next Time

The next rug will be bigger. Once I took this one off the loom it shrunk down a bit, and I love it too much for it to be small.
I won’t pull the woven strands as tightly, which will hopefully help with the shrinking.
Maybe I’ll try non-stretch cotton scraps?
I will plan to move the loom frame around a lot, and possibly rig up some way of leaning it upright while I’m weaving. Working flat gave me a back-ache.
I will take it in little batches, weaving in front of the tv or in public. If I weave in public I will look very serious about turning scraps into a comfy rug.

A sign of a successful project is the ability to look forward to the next one.

UPDATE: I enjoyed this project so much that I decided to remake this rug- BIGGER! I built a much larger loom using scrap wood and screws, then followed the same process to build this monstrosity. It sits cozily by my work table now, warms my feet, and makes me happy.

AIM SHOW + TELL: A-Frame Canvas Card Wall

August 5, 2015October 28, 2020 | Alison - Adventures-in-Making

From 2014-2016 I chronicled my crafty endeavors on the site Adventures-in-Making. I’ve selected a few of those DIY’s, Recipes, and other posts to share on the site.

One of the best things about having “a summer off” is that I am slowly getting to the projects that have been stacking up, with the help and company of Safety Husband. As you’re probably aware, my hubby is a big woodworker and enjoys DIY projects. When he starts a job, he wants it to be done properly so he won’t start doing some of the projects if we don’t have the right materials. A few of the things he wanted, like a router table, seemed silly at first but then he explained the many router table uses and I understood why a woodworker would want one. Despite not being able to do all the projects I wanted to so, it still feels great to make forward progress, but it is INSANE how much I expected to have done in a couple of weeks.

This weekend I finally got to a pressing project, and built an a-frame portable card wall out of two canvases and some scrap wood. There are a million options when it comes to displaying cards, but I wanted something light-weight with a little character, and I think this project absolutely fit the bill.

canvascardwall_IMG_9878 — Safety Husband makes a great arm model. Safety goggles not shown, but surely present.

Since these canvases were big (~30″ x 48″) they were reinforced on the back, so our first step was knocking those bars out. Fortunately they came out pretty easily with a couple of smacks from a mallet.

We decided to use some trim leftover from the shop, and ripped it (on a table saw) to be the same depth as the canvas. That left us a scrap that made a perfect lip for the front of the card rails. We cut the trim to fit inside the frame of the canvas.

Once all 10 card rail pieces and lips were cut, I glued and clamped them together and left them overnight to dry. Once they were dry, I used a semi-gloss white spray paint to cover all the green painted sides (all that would be visible from the front of the display.)

I made a mark along my frame every 9 inches to allow for enough room for the cards, and the occasional journal.

The shelf pieces ended up being a tight fit in the frame of the canvas, so I decided that wood glue would be enough to hold up the light weight of the cards. I put glue on the ends to mount into the frame. I also put glue along the long back of the rails to attach to the canvas and keep cards from falling behind the shelves.

I then gently put the rails in place, using a piece of scrap wood and a mallet to tap some of the tighter pieces in.

canvascardwall_IMG_0052 — I used painters tape to secure shelves in that were more likely to shift around. Most were held in place by friction and perfectly measured cuts.

When the glue had set, I finished by attaching the two canvases together with old door hinges. (The best hardware has a little character.)

I love the simple but rustic look of the a frame, and I adore how light weight and durable it is. It will soon find a home in a local store, and I’m excited to see how it looks.

I always get a sense of satisfaction when I finish a project like this, when I get over all the “What if I…” ideas and just get it done. This one is especially rewarding because I only used materials leftover from the shop and previous projects.

What are you working on?

So, There.

So There Letterpress and Stationery Studio in Issaquah

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Stripping

Not a normal knot.

Now Weave!

Finishing it off

Next Time

AIM SHOW + TELL: A-Frame Canvas Card Wall